For women, money"). [4] In Paris, the film took in 221,659 admissions and 716,920 admissions in France as a whole. On one side is the heaven represented by the Sacre Coeur church, on the other, the hell which is for some also a little bit of heaven, represented by the neon lights and easy sex of Pigalle, where Bob lives, with a wonderful view of the Sacre Coeur from his living room window, a metaphor for the film as a whole. The lower depths has its own ethics. ... a jump cut, beautiful purposeful camera movement, and lighting that shimmers. Enter your email address to subscribe to this blog and receive notifications of new posts by email. But the film complicates even this: you can squeal without knowing it. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville. It’s like the past and present of film technique effortlessly deployed in the service of the story. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville.The film stars Roger Duchesne as Bob.It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. In bed with Anne, the immature Paolo brags about the upcoming raid, news which she passes on to Marc, who tips off Ledru that he has valuable info to share. One notices how many of the camera set ups are on precise diagonals. Bob Le Flambeur (Jean-Pierre Melville, France, 1956) February 23, 2020 . It holds an approval rating of 97% on Rotten Tomatoes, based on 30 reviews, with an average rating of 8.1/10. It’s a film I never tire of, currently on MUBI. There's a jump cut, and then the car can be seen in a … ... λόγω της τεχνικής του Melville (κάμερα στο χέρι, jump-cut), και είναι με τη σειρά της επηρεασμένη άμεσα από τα αμερικανικά νουάρ. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. We see nightclubs, with drinking, dancing and gambling. The handcuffed Bob is put into Ledru's car and the casino staff put his winnings in the trunk. Sex is sold to get by, but in an easy way, without the film getting all judgmental about it; which is not to say that the film offers no judgment. Highly entertaining and ultra cool. It’s a film of romantic attitudes, of stances not very cool boys would like to aspire to, of sex and death and jazz. Some people have jobs, some people don’t have a bed to sleep in and must improvise, perhaps with a willing American sailor. It is strongly implied that his lucky streak will hold and he will get off with little or no jail time. It’s like the past and present of film technique effortlessly deployed in the service of the story. Just before 5:00 he orders the staff to cash his huge pile of chips and bring the money to the front door. Yesterday I have watched Jean-Pierre Melville's BOB LE FLAMBEUR (1955) for the first time, by way of Criterion's exemplary DVD edition. Αυθεντικός Τίτλος: Bob le Flambeur. The film stars Roger Duchesne as Bob. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville. The cut between Bob coming in the house and leaving out the door with his jacket off already on the other side of the door. The characterisation, the shooting style (which even includes a jump cut) and the scenario are very … It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. Bob, a former bank robber and convict who has gone straight for 20 years, lives on his own as a gambler in the Montmartre district of Paris. Bob Le Flambeur (Jean-Pierre Melville, France, 1956), Eavesdropping at the Movies: 221 – Un flic | First Impressions, A very brief note on Jeremy Atherton Lin’s ‘Gay Bar: Why We Went Out’, The Youssef Chahine Podcast No. Post was not sent - check your email addresses! Jean-Pierre Melville’s oeuvre is the subject of a new box-set due from Studio Canal next month, and the newly restored Bob Le Flambeur is a real highlight.. An early cut from the French filmmaker, Bob Le Flambeur charts the plight of the titular Bob, a retired career criminal, forced back for that ever-fateful one-last-job. Forming a plan to lift it, they find a backer to finance their preparations and recruit a team of professional criminals. [8], "Bob the Gambler" redirects here. One notices how many of the camera set ups are on precise diagonals. He cut costs by shooting on location in bars and clubs of, as well as in his own studio space. Scarface (1983) Suffused with wry humor, Bob Le Flambeur melds the toughness of American gangster films with Gallic sophistication to … Bob le Flambeur’s best moments come when Bob plans the heist with his crew, which should be no surprise, considering such a style will come to dominate Melville’s greatest works. It involves cracking the safe at the casino in Deauville after Bob, an aging gangster and mostly unlucky gambler, hears that the safe can contain as much as 800 million francs after a busy night. He is well liked by the demi-monde community there, but has hit a run of bad luck and is nearly broke. The main character, Bob, is a well-liked local gambler who even the police find affable, but his luck turns and he decides that has to rob the local casino. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville. There’s even an explicit reference to his first noir, the 1955 Bob le Flambeur — when Michel suggests that Bob Montagné could perhaps cash his check for him, only to be told, “He’s in the cooler, the idiot!” The difference between fan and critic isn’t just a matter of aim but a question of temperament. Watch later wiki: Bob le flambeur ("Bob the Gambler" or "Bob the High Roller" is a 1956 French gangster film directed by Jean-Pierre Melville. A voice-over narration at the beginning leads us into a world of night just before the dawn, that moment where the night is over, the nightclubs close, the prostitutes go get a bite to eat on their way home, and cleaning ladies, already late, race to work. The film stars Roger Duchesne as Bob. The website's critical consensus reads: "Majorly stylish, Bob le Flambeur is a cool homage to American gangster films and the presage to French New Wave mode of seeing. The film stars Roger Duchesne as Bob. Sorry, your blog cannot share posts by email. A 4K Restoration! *34n(HD-1080p)* 地球最後の男 オメガマン Svenskt Tal Stream (Swedish text) The links between this film, Le Samourai and Un Flic are direct: the underworld, the jazz, the nightclubs, the solitude, the elective affinities, the love that kills and the more solid affections that last…at least before the final shootout. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville. After wandering around the tables for a while, he can't resist placing a bet. An achingly romantic and effortlessly cool gangster film. Credited to be the antecedent to the French New Wave, due to its use of handheld camera and single jump cut, Bob le flambeur has established itself to be one of the best French as well as one of the best movies of all time. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. When Anne confesses what she has done, Paolo shoots Marc dead before he can get to Ledru. From Jean-Pierre Melville, the legendary director of Le Doulos, Le Samouraï, Army of Shadows and Un Flic. While with the French Resistance during World War II, he adopted the pseudonym Melville as a tribute to his favorite American author Herman Melville. [2], Bob le flambeur was released in Paris on 24 April 1956. There's a jump cut, and Bob is now in a different position a little further away from the terror. Find Bob le Flambeur at Amazon.com Movies & TV, home of thousands of titles on DVD and Blu-ray. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. "[6], Roger Ebert added the film to his Great Movies list in 2003. Bob Le Flambeur (Jean-Pierre Melville, France, 1956) February 23, 2020 . Bob le flambeur (1956) A precursor of the noir and the French new wave, “Bob le flambeur” is a classic heist movie released in 1956. Bob le flambeur was shot on location in Paris and Deauville with two interiors at rue Jenner studio. Ledru finds it hard to believe, as he thinks Bob is truly reformed, and after checking with the casino mounts a fruitless search for Bob, who is already on his way to Deauville. Bob is at the teller's window at the race track. [2] The film was Melville's lowest grossing at this point in his career. The music is by Eddie Barclay and Jo Boyer and the great cinematography is by one of the greats, Henri Decae. Ledru, the police inspector who does this, owes an unrepayable debt of gratitude to Bob, who once saved his life. Bob le flambeur ("Bob the Gambler" or "Bob the High Roller") is a 1956 French gangster film directed by Jean-Pierre Melville. For the novel by Frederick Barthelme, see, Please expand the article to include this information. There follows the most incredible run of luck, in which he wins millions. The other aspect where I think Bob Le Flambeur has the edge is in the character of the bar owner Yvonne. We are forced to endure a man slowly cracking a safe, using a stethoscope and a steady hand whilst Bob times him, challenging him to perform the task more quickly. [5], The film received positive reviews when re-released by Rialto Pictures in U.S. cinemas in 2001. Both a tribute to classic American gangster films and a source of inspiration for French New Wave filmmakers, Bob le Flambeur is the first in a series of stylish noirs that Jean-Pierre Melville made in the mid-'50s. The croupier gets them detailed floor plans, together with the specification of the safe. [7], Bob le flambeur influenced the two versions of the American film Ocean's Eleven (1960 and 2001) as well as Paul Thomas Anderson's Hard Eight, and was remade by Neil Jordan as The Good Thief in 2002. For men, women. [2] According to an interview the film cost 17.5 million French francs while CNC Censorship file indicates an estimate of 32 million French francs. To me this is the film that started it all for Melville. In Bob le Flambeur, Jean-Piere Melville made a virtue of hand-held camera work, which was extremely unusual for its time, as was the jump-cutting.Jump cutting, in which two sequential shots of the same subject are taken from camera positions that vary only slightly, is something that is still odd today as it only serves to alert the viewer to the presence of the camera. Directed by Jean-Pierre Melville. Bob Le Flambeur, like all Melville’s early films, was made at a fraction of the cost of an average feature made at that time. Meanwhile, the croupier's wife has wormed out the secret of her husband's new riches and decides to blackmail Bob but, unable to find him, tells the police. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. It’s telling that the most extreme and beautiful close-ups in the film are at the very moment of unwitting betrayal that sparks the denouement (see above). Melville's "Bob le Flambeur" (1955) is referenced when we meet the man who informed on Bob, or when Michel tells a friend, "Bob the gambler would have cashed my check." 33: Al-mummia/ The Night of Counting The Years (Shadi Abdel Salam, Egypt, 1969), Youssef Chahine’s Career: An Egyptian Perspective Part III, Sheep without a Shepherd – The Power of Montage by Yilin Duan: A Video Essay by Yilin Duan, The Beaches of Agnes: A Video Essay by Meg Russell, Eavesdropping at the Movies: 283 – Dear Zachary: A Letter to a Son About His Father, ‘Drowning in Spilled Beans: The Method Behind the Madness in The Lighthouse’ — A Video Essay by Joel Hatton, ‘Inherent Vice: A Mellow Trip’: Video Essay by Adam Vincent, https://notesonfilm1.com/wp-content/uploads/2017/06/une-larme.mp4. [4], Vincent Canby, writing for The New York Times in 1981, noted "Melville's affection for American gangster movies may have never been as engagingly and wittily demonstrated as in Bob le Flambeur, which was only the director's fourth film, made before he had access to the bigger budgets and the bigger stars (Jean-Paul Belmondo, Alain Delon) of his later pictures. One of them, Bob le flambeur (1956), pops up when its title character, Bob the Gambler, is mentioned as being an acquaintance of Michel's who's now in jail. Bob Le Flambeur. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut. The film stars Roger Duchesne as Bob. Bob sees her eating French fries by a fast-food stand and getting picked up by a sailor on a motorbike, and feels responsible for her safety. Read More: Movies Like Apocalypse Now 9. Being a pimp doesn’t mean a girl won’t have sex with you for fun or even marry you later, after you quit the profession, and sure to ruin your life just as you ruined so many before. Melville became the master of the criminal underworld gangster pictures, with Bob Le Flambeur. This is not only one of the best gangster films ever made, but one of the best films period. Enter your email address to follow this blog and receive notifications of new posts by email. He kept it as his stage name once the war was over. The film stars Roger Duchesne as Bob. One inside joke in the film is always mentioned, but is not really there. The film stars Roger Duchesne as Bob. Through an ex-con who is now a croupier in the casino at Deauville, Bob and his safecracker friend Roger learn that by 5.00 in the morning at the height of the season the casino safe can hold 800 million in cash. The protagonist is Bob (Roger Duchesne), a former bank robber who served his time, making a living as a gambler in Paris. With Roger Duchesne as Bob, Isabelle Corey as the young woman on her cups, Guy Decomble, the impatient schoolteacher in 400 Blows, plays a police inspector friends with and possibly indebted to Bob. An achingly romantic and effortlessly cool gangster film. The film has a wonderful sense of place, of mood, of compulsion, and feelings that are understated but strongly felt. Bob le Flambeur (1955) The caper is almost an afterthought in Jean-Pierre Melville's venerated Bob le Flambeur (1956), although it's quite a caper. Ledru follows with a convoy of armed police. She gets a lot of time in Bob Le Flambeur, in the background of the scenes set in her bar and then the wonderful scene with the policeman near the end. It is often considered a film noir and precursor to the French New Wave because of its use of handheld camera and a single jump cut.[3]. The film stars Roger Duchesne as Bob. Marc is arrested for beating up his wife, and accused of being a pimp, but is released on condition he becomes an informer. The film is a typical 50s French noir in its presentation of divided loyalties among a gang of crooks, women causing trouble, an elaborate heist-gone-wrong, police interrogation, etc. Bob le flambeur seems to take place in a liminal world of complex relations that call on the past, on many lives already lived and unknowable except to those who lived them: on bonds of obligations — and affections — where betrayal in some is as certain as loyalty in others. She, as the film’s femme fatale, will prove to be too willing to sleep with anyone to forge ahead; but, this does not deter Bob from liking her and treating her with respect. Ever the gentleman, he lets an attractive young drifter called Anne stay in his flat in order to keep her from the attentions of Marc, a pimp he hates, and encourages his young protégé Paolo to become involved with her. Jean-Pierre Melville (French: ; born Jean-Pierre Grumbach; 20 October 1917 – 2 August 1973) was a French filmmaker and actor.. If the story is about the acceptance of existential ache, the way it’s told is formally dazzling and playful: the irises in and out, cutting through vertical or horizontal wipes, a jump cut, beautiful purposeful camera movement, and lighting that shimmers. Bob's plan is to spend the time until 5:00 as a customer inside the casino, keeping an eye on things until the rest of the gang burst in with guns. Bob Le Flambeur [Bob the Gambler] is a smashing gangster masterpiece. A calm and collected early feature from Melville, “Bob le Flambeur” practically oozes cool and anticipated the French New Wave with its innovative use … Further details may exist on the, Learn how and when to remove these template messages, Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Bob_le_flambeur&oldid=1006251724, Articles needing additional references from March 2015, All articles needing additional references, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 February 2021, at 21:46. Later there's a shot of Bob driving a car down the beach as he cases the casino. We hear jazz. Arriving there on time, his gang are ambushed by the police and Paolo is killed in the ensuing gun battle. Paid in cash for this valuable information, he uses some of it to buy jewellery for his avaricious wife. About the worst thing you can be is a squealer or a pimp. 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